{"id":387,"date":"2026-04-21T14:14:46","date_gmt":"2026-04-21T14:14:46","guid":{"rendered":"https:\/\/lotuseddekhouri.com\/di-performance-copy\/"},"modified":"2026-04-28T15:20:35","modified_gmt":"2026-04-28T15:20:35","slug":"volatil-lambda-live","status":"publish","type":"page","link":"https:\/\/lotuseddekhouri.com\/en\/volatil-lambda-live\/","title":{"rendered":"Volatil Lambda LIVE"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":15,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-387","page","type-page","status-publish","hentry"],"grid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[6,6],\"frameMargin\":5,\"leftFrameMargin\":2,\"rightFrameMargin\":2,\"topFrameMargin\":4,\"mus\":{\"colGutterMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"%\",\"bottomFrameMu\":\"%\",\"frameMu\":\"%\"},\"bottomFrameMargin\":4,\"rowAttrs\":[{\"relid\":1},{\"row100vh\":false,\"relid\":6},{\"relid\":3}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"stack\",\"cont\":[{\"type\":\"text\",\"cont\":\"<h1 class=\\\"_Titres\\\">Volatil Lambda LIVE<\/h1><h5 class=\\\"_nav\\\"><strong>avec Jean-Luc Guionnet<\/strong><\/h5><h5 class=\\\"_nav\\\">danse et saxophone, 2011-2015<\/h5>\",\"align\":\"top\",\"row\":0,\"col\":0,\"colspan\":6,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p>Il s'agit ici de croiser les hi\\u00e9rarchies complexes qui informent la relation de la musique \\u00e0 la danse et vice-versa, de sortir d\\u2019une confiance aveugle en l\\u2019\\u00e9coute, en l\\u2019\\u00e9tat d\\u2019ouverture, etc.<\/p><p>Pour cela, une \\u201cpetite forme\\u201d chor\\u00e9graphique s\\u2019est impos\\u00e9e \\u00e0 nous, une petite forme qui nous sert \\u00e0 tester nos strat\\u00e9gies r\\u00e9ciproques et dont la simplicit\\u00e9 r\\u00e9siste aux variations et \\u00e0 la conjecture. Comme si, avec elle, nous avions sous la main, toujours pr\\u00eat, l\\u2019outil ad\\u00e9quat pour inscrire danse et musique dans les al\\u00e9as de la g\\u00e9ographie, de l\\u2019architecture, de la m\\u00e9t\\u00e9o, de nos faits et gestes...<\/p>\",\"align\":\"top\",\"row\":1,\"col\":0,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":3,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":5,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_SmallLineal_Compact\\\">Cette performance a \\u00e9t\\u00e9 pr\\u00e9sent\\u00e9e entre 2011 et 2015 \\u00e0 :<\/p><p class=\\\"_SmallLineal_Compact\\\">Paris (Ackenbush)<\/p><p class=\\\"_SmallLineal_Compact\\\">Palerme (Th\\u00e9\\u00e2tre Garibaldi)<\/p><p class=\\\"_SmallLineal_Compact\\\">Nantes (Festival C\\u00e2bles)<\/p><p class=\\\"_SmallLineal_Compact\\\">Clermont Ferrand<\/p><p class=\\\"_SmallLineal_Compact\\\">Nice (Le Salon)<\/p><p class=\\\"_SmallLineal_Compact\\\">G\\u00eanes<\/p><p class=\\\"_SmallLineal_Compact\\\">Marseille (Data)<\/p><p class=\\\"_SmallLineal_Compact\\\">Tokyo<\/p><p class=\\\"_SmallLineal_Compact\\\">Osaka<\/p><p class=\\\"_SmallLineal_Compact\\\">Kyoto<\/p><p class=\\\"_SmallLineal_Compact\\\">Toulouse (Th\\u00e9\\u00e2tre Le Ring)<\/p><p class=\\\"_SmallLineal_Compact\\\">San Sebastian (Arteluku) \\u2013 <strong>dernier Volatil Lambda LIVE, 2014<\/strong><\/p>\",\"align\":\"top\",\"row\":2,\"col\":0,\"colspan\":6,\"offsetx\":0,\"offsety\":0,\"spaceabove\":2,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":4,\"absolute_position\":false}],\"relid\":10,\"colspan\":6,\"col\":0,\"push\":0,\"row\":0,\"offsetx\":0,\"offsetxMu\":\"px\",\"offsety\":0,\"offsetyMu\":\"px\",\"spaceabove\":0,\"spacebelow\":0,\"spaceleft\":0,\"spaceright\":0,\"align\":\"top\",\"yvel\":1,\"absolute_position\":false,\"stackRowGutter\":0,\"stackRowGutterMu\":\"%\"},{\"type\":\"img\",\"cont\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush.jpg\",\"align\":\"bottom\",\"row\":0,\"col\":6,\"colspan\":6,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":9,\"attid\":357,\"sizes\":{\"full\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush.jpg\",\"_1024\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-1024x536.jpg\",\"_768\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-768x402.jpg\",\"_512\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-512x268.jpg\",\"_265\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-265x139.jpg\"},\"w\":1273,\"h\":666,\"ar\":0.5231736056559308511992867352091707289218902587890625,\"alt\":\"\",\"absolute_position\":false,\"textOnElement\":{\"topLeft\":\"\",\"topCenter\":\"\",\"topRight\":\"\",\"leftCenter\":\"\",\"centerCenter\":\"\",\"rightCenter\":\"\",\"bottomLeft\":\"\",\"bottomCenter\":\"\",\"bottomRight\":\"\",\"spaceLeftRight\":10,\"spaceLeftRightMu\":\"px\",\"spaceTopBottom\":10,\"spaceTopBottomMu\":\"px\",\"enableSpacePhone\":false,\"spaceLeftRightPhone\":10,\"spaceLeftRightPhoneMu\":\"px\",\"spaceTopBottomPhone\":10,\"spaceTopBottomPhoneMu\":\"px\",\"verticalOffsetCenter\":0,\"verticalOffsetCenterMu\":\"px\",\"verticalOffsetCenterPhone\":0,\"verticalOffsetCenterPhoneMu\":\"px\",\"darkGradientAtTop\":false,\"darkGradientAtBottom\":false,\"darkGradientAtTopColor\":\"#000000\",\"darkGradientAtBottomColor\":\"#000000\"}},{\"type\":\"video\",\"cont\":\"https:\/\/i.vimeocdn.com\/video\/2102324949-125009989fa45683cb03d01913eb1b631413ef5081eee4bcac87fbbc7aa363a4-d_295x166?region=us\",\"align\":\"top\",\"row\":1,\"col\":1,\"colspan\":10,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":1,\"relid\":7,\"iframe\":\"<iframe src=\\\"\/\/player.vimeo.com\/video\/1151213723?api=1&byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"426\\\" height=\\\"240\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\"url\":\"https:\/\/vimeo.com\/1151213723\",\"w\":426,\"h\":240,\"ar\":0.56338028169014087165322735017980448901653289794921875,\"customLayControls\":false,\"showShareButton\":false,\"absolute_position\":false,\"frameOverflow\":\"\"},{\"type\":\"text\",\"cont\":\"<p class=\\\"p1\\\">Depuis 2015, nous avons abandonn\\u00e9 cette forme chor\\u00e9graphique. Sa construction en 3 moments-cl\\u00e9s, distribu\\u00e9s dans le temps et l'espace nous est apparue finalement psychologique. La danseuse, d'abord loin derri\\u00e8re d\\u00e9passait loin devant le musicien tandis que le musicien restait pilier. Des interpr\\u00e9tations genr\\u00e9es ont \\u00e9merg\\u00e9es, de quoi couper imm\\u00e9diatement l'\\u00e9lan de la travers\\u00e9e du volatil.<\/p><p class=\\\"p1\\\">Une nouvelle forme pour continuer la danse et le saxophone ensemble s'est impos\\u00e9e \\u00e0 nous : le c\\u00f4te \\u00e0 c\\u00f4te. <i><a href=\\\"https:\/\/lotuseddekhouri.com\/ce-qui-dure-dans-ce-qui-dure\/\\\" data-id=\\\"163\\\" data-title=\\\"ce qui dure dans ce qui dure\\\" data-catid=\\\"[15,1]\\\" data-type=\\\"project\\\">ce qui dure dans ce qui dure<\/a>.<\/i><\/p>\",\"align\":\"top\",\"row\":2,\"col\":6,\"colspan\":5,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":6,\"relid\":8,\"absolute_position\":false}]}","phonegrid":"{\"colCount\":12,\"colGutter\":1,\"rowGutters\":[5,10,10,10,10],\"frameMargin\":5,\"topFrameMargin\":\"10\",\"rightFrameMargin\":5,\"bottomFrameMargin\":5,\"leftFrameMargin\":5,\"mus\":{\"colGutterMu\":\"%\",\"rowGutterMu\":\"%\",\"topFrameMu\":\"%\",\"bottomFrameMu\":\"%\",\"frameMu\":\"%\"},\"rowAttrs\":[{\"relid\":14},{\"relid\":11},{\"relid\":12},{\"relid\":13},{\"relid\":15},{\"relid\":16}],\"bgColor\":null,\"bgImage\":null,\"cont\":[{\"type\":\"img\",\"cont\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush.jpg\",\"align\":\"bottom\",\"row\":0,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":9,\"attid\":357,\"sizes\":{\"full\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush.jpg\",\"_1024\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-1024x536.jpg\",\"_768\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-768x402.jpg\",\"_512\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-512x268.jpg\",\"_265\":\"\/wp-content\/uploads\/2026\/04\/VL-Ackenbush-265x139.jpg\"},\"w\":1273,\"h\":666,\"ar\":0.5231736056559308511992867352091707289218902587890625,\"alt\":\"\",\"absolute_position\":false,\"textOnElement\":{\"topLeft\":\"\",\"topCenter\":\"\",\"topRight\":\"\",\"leftCenter\":\"\",\"centerCenter\":\"\",\"rightCenter\":\"\",\"bottomLeft\":\"\",\"bottomCenter\":\"\",\"bottomRight\":\"\",\"spaceLeftRight\":10,\"spaceLeftRightMu\":\"px\",\"spaceTopBottom\":10,\"spaceTopBottomMu\":\"px\",\"enableSpacePhone\":false,\"spaceLeftRightPhone\":10,\"spaceLeftRightPhoneMu\":\"px\",\"spaceTopBottomPhone\":10,\"spaceTopBottomPhoneMu\":\"px\",\"verticalOffsetCenter\":0,\"verticalOffsetCenterMu\":\"px\",\"verticalOffsetCenterPhone\":0,\"verticalOffsetCenterPhoneMu\":\"px\",\"darkGradientAtTop\":false,\"darkGradientAtBottom\":false,\"darkGradientAtTopColor\":\"#000000\",\"darkGradientAtBottomColor\":\"#000000\"}},{\"type\":\"text\",\"cont\":\"<h1 class=\\\"_Titres\\\">Volatil Lambda LIVE<\/h1><h5 class=\\\"_nav\\\"><strong>avec Jean-Luc Guionnet<\/strong><\/h5><h5 class=\\\"_nav\\\">danse et saxophone, 2011-2015<\/h5>\",\"align\":\"bottom\",\"row\":1,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":2,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p>Il s'agit ici de croiser les hi\\u00e9rarchies complexes qui informent la relation de la musique \\u00e0 la danse et vice-versa, de sortir d\\u2019une confiance aveugle en l\\u2019\\u00e9coute, en l\\u2019\\u00e9tat d\\u2019ouverture, etc.<\/p><p>Pour cela, une \\u201cpetite forme\\u201d chor\\u00e9graphique s\\u2019est impos\\u00e9e \\u00e0 nous, une petite forme qui nous sert \\u00e0 tester nos strat\\u00e9gies r\\u00e9ciproques et dont la simplicit\\u00e9 r\\u00e9siste aux variations et \\u00e0 la conjecture. Comme si, avec elle, nous avions sous la main, toujours pr\\u00eat, l\\u2019outil ad\\u00e9quat pour inscrire danse et musique dans les al\\u00e9as de la g\\u00e9ographie, de l\\u2019architecture, de la m\\u00e9t\\u00e9o, de nos faits et gestes...<\/p>\",\"align\":\"bottom\",\"row\":2,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":\"0\",\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":5,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"_SmallLineal_Compact\\\">Cette performance a \\u00e9t\\u00e9 pr\\u00e9sent\\u00e9e entre 2011 et 2015 \\u00e0 :<\/p><p class=\\\"_SmallLineal_Compact\\\">Paris (Ackenbush)<\/p><p class=\\\"_SmallLineal_Compact\\\">Palerme (Th\\u00e9\\u00e2tre Garibaldi)<\/p><p class=\\\"_SmallLineal_Compact\\\">Nantes (Festival C\\u00e2bles)<\/p><p class=\\\"_SmallLineal_Compact\\\">Clermont Ferrand<\/p><p class=\\\"_SmallLineal_Compact\\\">Nice (Le Salon)<\/p><p class=\\\"_SmallLineal_Compact\\\">G\\u00eanes<\/p><p class=\\\"_SmallLineal_Compact\\\">Marseille (Data)<\/p><p class=\\\"_SmallLineal_Compact\\\">Tokyo<\/p><p class=\\\"_SmallLineal_Compact\\\">Osaka<\/p><p class=\\\"_SmallLineal_Compact\\\">Kyoto<\/p><p class=\\\"_SmallLineal_Compact\\\">Toulouse (Th\\u00e9\\u00e2tre Le Ring)<\/p><p class=\\\"_SmallLineal_Compact\\\">San Sebastian (Arteluku) \\u2013 <strong>dernier Volatil Lambda LIVE, 2014<\/strong><\/p>\",\"align\":\"bottom\",\"row\":3,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":\"\",\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":4,\"absolute_position\":false},{\"type\":\"video\",\"cont\":\"https:\/\/i.vimeocdn.com\/video\/2102324949-125009989fa45683cb03d01913eb1b631413ef5081eee4bcac87fbbc7aa363a4-d_295x166?region=us\",\"align\":\"bottom\",\"row\":4,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":7,\"iframe\":\"<iframe src=\\\"\/\/player.vimeo.com\/video\/1151213723?api=1&byline=0&amp;portrait=0&amp;color=ffffff\\\" width=\\\"426\\\" height=\\\"240\\\" frameborder=\\\"0\\\" webkitallowfullscreen mozallowfullscreen allowfullscreen><\/iframe>\",\"url\":\"https:\/\/vimeo.com\/1151213723\",\"w\":426,\"h\":240,\"ar\":0.56338028169014087165322735017980448901653289794921875,\"customLayControls\":false,\"showShareButton\":false,\"absolute_position\":false},{\"type\":\"text\",\"cont\":\"<p class=\\\"p1\\\">Depuis 2015, nous avons abandonn\\u00e9 cette forme chor\\u00e9graphique. Sa construction en 3 moments-cl\\u00e9s, distribu\\u00e9s dans le temps et l'espace nous est apparue finalement psychologique. La danseuse, d'abord loin derri\\u00e8re d\\u00e9passait loin devant le musicien tandis que le musicien restait pilier. Des interpr\\u00e9tations genr\\u00e9es ont \\u00e9merg\\u00e9es, de quoi couper imm\\u00e9diatement l'\\u00e9lan de la travers\\u00e9e du volatil.<\/p><p class=\\\"p1\\\">Une nouvelle forme pour continuer la danse et le saxophone ensemble s'est impos\\u00e9e \\u00e0 nous : le c\\u00f4te \\u00e0 c\\u00f4te. <i><a href=\\\"https:\/\/lotuseddekhouri.com\/ce-qui-dure-dans-ce-qui-dure\/\\\" data-id=\\\"163\\\" data-title=\\\"ce qui dure dans ce qui dure\\\" data-catid=\\\"[15,1]\\\" data-type=\\\"project\\\">ce qui dure dans ce qui dure<\/a>.<\/i><\/p>\",\"align\":\"bottom\",\"row\":5,\"col\":0,\"colspan\":12,\"offsetx\":0,\"offsety\":0,\"spaceabove\":0,\"spacebelow\":0,\"yvel\":1,\"push\":0,\"relid\":8,\"absolute_position\":false}]}","_links":{"self":[{"href":"https:\/\/lotuseddekhouri.com\/en\/wp-json\/wp\/v2\/pages\/387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lotuseddekhouri.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lotuseddekhouri.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lotuseddekhouri.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lotuseddekhouri.com\/en\/wp-json\/wp\/v2\/comments?post=387"}],"version-history":[{"count":0,"href":"https:\/\/lotuseddekhouri.com\/en\/wp-json\/wp\/v2\/pages\/387\/revisions"}],"wp:attachment":[{"href":"https:\/\/lotuseddekhouri.com\/en\/wp-json\/wp\/v2\/media?parent=387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}